Da Capo
Art proclaims man's right to exist. – Auguste Rodin (1840-1917)
People move about all over the world and cultures cross. Residents, travellers, strangers, people seeking freedom. The familiar alongside the new. Knowledge, understanding, misunderstanding. Things and people inexorably on the move - an endless kaleidoscopic reordering.
In "Da Capo" Yui Kawaguchi and Aki Takase address the feeling of being foreign and celebrate the clashing of cultures and art forms. Also along for the ride are French clarinettist Louis Sclavis, Berlin-based music producer and DJ Illvibe, and dancer Kofie da Vibe, originally from Ghana, whose body language combines hip hop, krump and African dance. On a musical level, jazz piano and new music meet folklore imaginaire, hip hop and electronic soundscapes. In dance, too, the encounter is between two bodies that have been shaped very differently, both culturally and stylistically. A starting point for the performance was a visit to the exhibition "Auguste Rodin and Madame Hanako" in Berlin's Georg Kolbe Museum, which was devoted to the relationship between the famous French sculptor and the Japanese actress. At the beginning of the 20th century, when Europeans were developing an exaggerated fascination for all things foreign, Madame Hanako (1868-1945) set out for Europe and there inspired overwhelming admiration with the way she used her own body to create art. Even Rodin was enthralled by the force of her expression and sought to capture it in gruelling portrait sittings. An impressive series of expressive masks and busts of the "little Japanese lady" ("petite Hanako") came to be included in his late work. "Da Capo" seeks to observe matters "from the head down" and understands the term as more than a musical invitation to repeat what has gone before. Equally, the piece takes a look at the five artists' own histories, at their innumerable encounters with different cultures and their diverse relationships with other art forms. Why does otherness fascinate me so much?How much do I understand of my counterpart? Although the performance wins the audience over with its solo performances, the physical and tonal material remains malleable and open to the creative process. While cultural borders seem increasingly to dissolve into generalised gestures in times of worldwide interconnectedness, "Da Capo" searches for the fascination of cultural particularity in the personal encounter – and looks to share this with the audience without reservation.
Sat. 12. January 2019 - 20:45 (German premiere)
In the program of the Festival "made in Potsdam 2019"
fabrik Potsdam (Schiffbauergasse 10, 14467 Potsdam) > info
Premiere: Sat. 28. April 2018 - 18:00
in the program of the Festival "Bregenzer Frühling 2018"
Kunsthaus Bregenz (Karl-Tizian-Platz 45 / 6900 Bregenz Österreich)
Duration: about 60min .
by and with :
Aki Takase (piano)
Louis Sclavis (clarinet, bass clarinet)
DJ Illvive (Live DJ / Soundscapes)
Kofie da Vibe (dance)
Yui Kawaguchi (dance)
concept / artistic direction : Yui Kawaguchi
concept / musical direction : Aki Takase
light / technic : Fabian Bleisch
production management : Ilja Fontaine
musical production management : Constanze Schliebs
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Aki Takase – Musical Diredtion, Piano www.akitakase.com Born in Osaka she grew up in Tokio. She started learning piano at 3 years old and studied music at Tohogakuen University in Tokio. 1979 she staid several months in the USA. 1981 she performed for the first time at the Berlin Jazzfest in the Philharmonie with her trio. Many concerts and LPs with John Zorn, Lester Bowie, Joe Henderson, Niels Henning Orsted Pedersen. In the 90’s very successful duos with the singer Maria Joao, and with saxophonist David Murray. Also a trio with Reggie Workman and Rashied Ali, a duo with Alexander von Schlippenbach, and occasional projects with the Berlin Contemporary Jazz Orchestra. From 1997 til 1999 teaching at the Hochschule für Musik „Hanns Eisler“ in Berlin. She got the award Kritikerpreis der Berliner Zeitung. Aki Takase got in 2002 the radio SWR Jazzpreis award. Further projects are the trio "LOK 03" with Alexander von Schlippenbach and DJ Illvibe, a new chamber ensemble "La Planète“ with Louis Sclavis, Dominique Pifarely and Vincent Courtois, duos with Rudi Mahall, Han Bennink, David Murray and Louis Sclavis. She was nominated 8 times for the Deutschen Schallplattenpreis. Louis Sclavis – Clarinet, Bass clarinet DJ Illvibe – Live DJ / Soundscapes Kofie da Vibe – Dance |
Artistic relationships in dance
Neue Vorarlberger Zeitung
29.4.2018 by Katharina von Glasenapp
Audiences at the Bregenz Spring Festival were able to enjoy the production "Da Capo", an intriguing collaboration between five hugely varied artists working in different fields. … Jazz, contemporary music, improvisations on the piano, clarinet and bass clarinet, plus the pulses, the rhythmical scratching of a DJ and, of course, dance itself, go into creating an exceptional composition.
...Joint scenes full of symbiosis, full of contrast and wit, snake-like or puppet-like movements, become an ambiguous mirror for their relationship.
This danced story is sustained by the tremendous energy of the music. By the explosions of sound, rhythmical groove, or clusters played by the pianist, and by the clarinet going wildly off-piste, sometimes snarling or roaring, playing with the tapping noise made by the keys or unfolding in quieter passages into the expanses of space. .... Fascinating and stimulating.
production : Mendora/Yui Kawaguchi and Bregenzer Frühling
support : deutsch-französisch-schweizerischen Fonds für zeitgenössische Musik / Impuls neue Musik
co-production : fabrik Potsdam(Program Artists in Residence)
with kind support by : Weltkunstzimmer Düsseldorf